ARTH 260 * Introduction to Art History * Professor Sarah Benson * Spring 2005 |
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schedule | requirements | PDF images
Unit 1: week 1 | week 2 | week 3 | week 4 Unit 2: week 5 | week 6 | week 7 | week 8 Unit 3: week 10 blackboard
section | paper 1 | paper 2 | paper3assignments online resources
Cornell Library | Grove Dictionary of Art |
Encyclopaedia Britannica |
Oxford Dictionary of Art |
Oxford Companion to Western Art |
Oxford Dictionary of Architecture |
History of Art Dept. |
Cornell Homepage
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Readings are listed during week they will be discussed in class--please look ahead ** WEEK 1 1. Tue. 25 Jan. The Grand Tour and the Classical Tradition in Modern Art handout 2. Thu. 27 Jan. Exotic, Scientific, Sentimental: Visual Entertainments of the Ancien Régime Readings: * STOKSTAD , AH , "Painting in France," "Decorative Arts and Sculpture," pp. 902-909; "Art in Italy," "Art of the Grand Tour," & "Neoclassicism in Rome," pp. 909-913; "Neoclassicism in Architecture and the Decorative Arts" pp. 917-919; "The Romance of Science," p. 922 WEEK 2
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3. Tue. 1 Feb. Neoclassical as a Revolutionary Style: Building the American Republic 4. Thu. 3 Feb. From Terror to Empire: David, Napoleon, and the Politics of Display Readings: * STOKSTAD, AH , "Eighteenth-Century Art in Europe and North America," pp. 896-897; "The Enlightenment and Its Revolutions," pp. 898-899; "Academies and Academy Exhibitions," p. 906; "Women and Academies," 910; "Classical Revival in Architecture and Landscaping," pp. 913-915; "History Painting," 922-924 * the American "Bill of Rights," 1789 * the French "Declaration of the Rights of Man and the Citizen," 1789 * Grove Dictionary of Art, "Museum, §I: History / 4. Cultural monuments: the creation of the Musée du Louvre and repercussions in Europe" WEEK 3
view images 5. Tu. 8 Feb. Romanticism and Orientalism 6. Thu. 10 Feb. From Satire to the Sublime: Goya, Blake, Turner and Constable Readings: * STOKSTAD, AH , "Romantic Painting," 924-926; "Europe and the United States in the Nineteenth Century," "Early Nineteenth-Century Art: Neoclassicism and Romanticism," "Neoclassicism and Romanticism in France," "David and his Students," "Romantic Painting," "The Object Speaks: Raft of the Medusa," pp. 942-952; "Romantic Landscape Painting in Europe," 942-958 * D'ALLEVA, "Cultural Studies and Postcolonial Theory" WEEK 4
view images7. Tue. 15 Feb. Manifest Destiny, Native Americans, and Peale's Mastadon handout 8. Thu. 17 Feb. No class --work on Paper 1 and Journal Readings: * STOKSTAD, AH , "Naturalistic, Romantic, and Neoclassical American Art," "Landscape and Genre Painting," pp. 958-962 * POHL, "Old World, New World: The Encounter of Cultures on the American Frontier" WEEK 5 9. Tue. 22 Feb. Realism and Socialist Politics handout DUE: Paper 1, before lecture late papers will not be accepted 10. Thu. 24 Feb. Abolition, Civil War, and the Role of Photography handout Readings: * STOKSTAD , AH , "Uncovering Sociopolitical Intentions," pp. xlv-xlvi; "Early Photography in Europe," "Technique: How Photography Works," pp. 964-967; "French Naturalism and Realism and their Spread," "French Naturalism," "French Realism," "Naturalism and Realism Outside France," pp. 971-976; " Civil War Photography and Sculpture," p. 1009; "Post-Civil War Realism," 1009-1011 * D'ALLEVA, "Marxist and Materialist Perspectives on Art" WEEK 6
view images11. Tue. 1 Mar. The Impressionist as the "Painter of Modern Life" handout 12. Thu. 3 Mar. The Battle of the Ancients and the Moderns Readings: * STOKSTAD , AH , " Ukiyo-E : Pictures of the Floating World," pp. 831-833; "Late-Nineteenth-Century Art: Realism and Anti-Realism," pp. 943-944; "Impressionism," "Artistic Allusions in Manet's Art," "Japonisme," "Later Impressionism," pp. 979-992 * BAUDELAIRE, "The Painter of Modern Life" * EISENMAN, "Manet and the Impressionists" WEEK 7
view images13. Tue. 8 Mar. Van Gogh and the Post-Impressionists handout 14. Thu. 10 Mar. Eiffel, Egypt, and the Paris Exposition of 1889 handout Readings: * STOKSTAD , AH , "The Object Speaks: Large Plane Trees ," p. xlvii; "Nineteenth-Century Art in Europe and the United States," pp. 940-41; "Post-Impressionism," pp. 993-998 * ZEMEL, "Self-Portraits: the Construction of Professional Identity" * COLLINS, "Art & Psychoanalysis: Van Gogh and Gaughin on the Couch" * D'ALLEVA, "Psychology and Perception in Art" WEEK 8
view images15. Tue. 15 Mar. The Chicago School: Department Stores and Skyscrapers on the Plains handout 16. Thu. 17 Mar. The World's Columbian Exposition, 1893 handout Due: Paper 2, Journal Sections: discussion of Paper 2 Readings: * STOKSTAD, AH , "New Materials and Technology in Architecture at Midcentury," pp. 967-969; "Architecture," "The City Park," pp. 1014-1017 * LARSON, Devil in the White City DUE: Paper 2 on Larson , Devil in the White City, Journal WEEK 9 SPRING BREAK
view images WEEK 10 17. Tue. 29 Mar. Eakins and the Spectacle of Science: Dissections, Panoramas, Stereoscopes, and Magic Lantern Shows 18. Thu. 31 Mar. Art Nouveau, the Vienna Secession, and Advertisements for the Modern Life Readings: * STOKSTAD , AH , "Late-Nineteenth-Century Art in Britian," pp. 977-979; "The Print Revivals," p. 984; "Art Nouveau," pp. 1003-1005; Thomas Eakins, pp. 1011-1012; "Late-Flowering Art Nouveau," pp. 1021-1022 * KELLER, "Disseminations of Modernity: Representations and Consumer Desire in Early Mail-Order Catalogues" * D'ALLEVA, "Feminisms" WEEK 11
19. Tue. 5 Apr. Wild Beasts, Blue Riders, and the Move to Abstraction 20. Thu. 7 Apr. Picasso's "Naked Problems" Sections: Johnson Museum Tour Readings: * STOKSTAD , AH , "The Rise of Modernism in Europe and North America," "Europe and the United States in the Early Twentieth Century," "Early Modernist Tendencies in Europe," pp. 1019-1021; "The Fauves," "Die Brücke," "Independent Expressionists," "Der Blaue Reiter," "Early Modernist Sculpture," "Cubism in Europe," "Picasso's Early Art," "Analytic Cubism," "Synthetic Cubism," "Responses to Cubism," pp. 1023-1042 WEEK 12
21. Tue. 12 Apr. The Modern Metropolis: From "City Beautiful" to Hell's Kitchen Wed. 13 Apr. 7:30 p.m. HEC, Movie screening: Modern Times (1936) 22. Thu. 14 Apr. Designs for Work and Home: Wright, Le Corbusier, and Gropius Readings: * STOKSTAD , AH , "Urban Photography," pp. 1011-1013; Early Modernist Tendencies in the United States," "Early Modern Architecture," "American Modernism," "The American Skyscraper," "European Modernism," "Elements of Architecture: The Skyscraper," pp. 1042-1049; "Classicism and Purism in France," "The International Style," "Bauhaus Art in Germany," 1055-1060; "Art and Architecture in the United States Between the Wars," "Precisionism," "American Scene Painting and Photography," pp. 1067-1072; "Architecture," pp. 1075-1078 WEEK 13
Mon. 18 Apr. 7:30 p.m. HEC, Movie screening: Modern Times (1936) 23. Tue. 19 Apr. Moving Pictures and their Palaces 24. Thu. 21 Apr. Surrealism vs. Utilitarianism Readings: * STOKSTAD , AH , "Modernism in Europe Between the Wars," "Utilitarian Art Forms in Russia," "Rationalism in the Netherlands," pp. 1048-1053; "Suppression of the Avant-Garde in Germany," "Dada," "Surrealism," 1059-1066 * MALAND, "Modern Times: Political Ambiguity and Critical Response" * MOLYNEAUX, "Modern Times and the American Culture of the 1930s" WEEK 14
25. Tue. 26 Apr. "You Have Seen Their Faces": The Artists of the New Deal 26. Thu. 28 Apr. Selling the War Readings: * STOKSTAD , AH , "The Rise of Modernism in Europe and North America," pp. 1018-1019; "American Scene Painting and Photography," "Federal Patronage for American Art During the Depression," "The Harlem Renaissance," pp. 1068-1074; "Art in Mexico Between the Wars," 1078-1079 * OLSON, "Portraits in Praise of People: A Rhetorical Analysis of Norman Rockwell's Icons in Franklin D. Roosevelt's 'Four Freedoms' Campaign" WEEK 15
27. Tue. 3 May Wartime Technology to Postwar Living 28. Thu. 5 May prelim Paper 3 Museum Exhibition Brochure |
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